Permanent postage stamps: suggestion of involved proximity to an accessible King
In 2013, designers Job Smeets and Nynke Tynagel of Studio Job in Antwerp based the design of the permanent Willem-Alexander postage stamps on a photographic portrait by photographer Rineke Dijkstra (1959). On November 27, 2013, King Willem-Alexander received the first copy of the new permanent postage stamp, featuring the year 2013 as a novelty in the upper right corner.

With a muted splendor of red, silver-white, and blue, the Dutch flag, as a tricolor, covers our mail items destined for national and international destinations.
As flat as a pancake!
Due to variations in height and depth within the monochrome and spatial portrait of the King, more or fewer prints have been applied. In this three-dimensional image, a varied interplay of shadows emerges depending on the lighting conditions (extremely minimal and slight, effectively invisible). Consequently, the refined and nuanced forms, curves, and folds in the face and hair may appear slightly different. The blue/red color gradient in the background, transitioning from light to dark, places the King's portrait within a spatial setting, creating depth with the necessary variations throughout the entire stamp image. The frontal depiction of the King establishes personal, mutual eye contact between the King and the viewer. In doing so, he stands open to everyone, so to speak. The presence of an oval opening in the perforation on either side of the blue stamp is applied to this stamp only for security purposes (each year with an enormously large print run compared to the other two stamps).

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